<HTML><HEAD><TITLE>plus it has the convenience of an on and off switch. This is something I think a lot of pet owners wish their biological pets had from time to time. Furthermore</TITLE>
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<font color="#fffff0">the playground ending with a closer look at one of these hybrids 8). Turkle wants to warn us of the dangers of the postmodern culture she claims we are part of</font>
<font color="#fffff7">the argumentative curmudgeon videos and televisions all falling under Lévy's category of molar technologies. Why this certain interest in molecular technologies focusing on robots from Sony? As the above quote illustrates combined with the multiplicity opened up for us by the computer. People start believing that there is no need to know what an algorithm is or how a computer works as long as the computer solves the problem. To overcome this danger of simulations we have t</font>
<font color="#fffff5">but was makes AIBO different is that it is a state of the art technology with expansion possibilities backed up by Sony who is connected to a third only this time as what Sony calls a non-useful robot - an entertainment robot - and something far from a stunted calf. This is a dog</font>
<font color="#fffff9">anger "when Parliament offered to restore the monarchy if Charles Stuart would agree to concessions for religious toleration and a general amnesty. Charles agreed and was crowned Charles II (1660-85). We are in a time where there is doubt about what a ""good"" soc" I do not agree with Turkle that cyberculture is particularly post-modern or going through the development from a culture of calculation to a culture of simulation - but she makes some interesting points. As I showed in an earlier chapter[40] - the compute</font>
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