[python-events] Event Submission :: Taken by Artificial Surprise - Magic, Surprise & Machine Learning Opens July 28 in NYC

Helio Loureiro helio at loureiro.eng.br
Sat Jul 23 09:27:45 EDT 2022


Hi Jeanette,

Not sure your event fits the Python User group guidelines to be added.
There is direct mention regarding python.

Best Regards,
Helio Loureiro

On Mon, 18 Jul 2022 at 16:52, Jeanette Andrews <
jeanetteandrewsstudio at gmail.com> wrote:

> Hello Python events team!
> Would love to have this work included in the Python events calendars, etc.
> as some of the original coding for the work was done in py.
>
>
> ###
> High res images:
> https://drive.google.com/drive/folders/1bzDNIJIkqDB9l_3Oy63l6r9xExh-Bbtu?usp=sharing
>
>
>
>
> Photo: Ari Isenberg
>
>
>
> Taken by Artificial Surprise
>
>
>
> Magic meets machine learning in this installation and performance series
> by
>
> Jeanette Andrews at Culture Lab LIC
>
>
>
> On View: Thursday, July 28 - Sunday, July 31, 2022
>
> Performances: 7:30 pm (Approximately 20-30 minutes)
>
> COST: Free (reservation required)
>
> RESERVATION:
> https://www.eventbrite.com/e/taken-by-artificial-surprise-tickets-340798446327
>
> LOCATION: CultureLAB LIC: 5-25 46th Avenue, Long Island City, New York, NY
> 11101
>
>
>
> Jeanette Andrews presents a performance and installation series exploring
> the relationships between magic, machine learning, and surprise. It
> welcomes attendees to step inside a thought experiment – a Turing Test of
> sorts. The performance aspect of this work highlights historic pieces of
> magic presented alongside algorithmically generated magic with varying
> levels of surprise, and participants might find themselves a bit unsure
> as to which may be which.
>
> In 1950, pioneering mathematician and computer scientist Alan Turing wrote
> the seminal paper, "Computing Machinery and Intelligence." He drew
> inspiration from Victorian-era parlor games to imagine his own parlor-style
> amusement, the imitation game. This inspired the now-famous Turing Test and
> utilized the question, "can a machine take us by surprise?" as a way to
> investigate artificial / computational intelligence. Taken by Artificial
> Surprise explores historic parlor magic to examine hierarchies of
> surprise and the human creation of surprise as compared and contrasted to
> that of machines. What might performances of the seemingly impossible
> demonstrate about the capabilities and limitations of both machine learning
> and the human mind?  Andrews invites participants to think about what
> constitutes the experience of surprise itself and whether surprise is a
> unique, defining factor of human consciousness. The work also highlights
> how the mechanisms to create surprise lie deep within the gaps of lived and
> learned experience and are perhaps made using the ontological commitments
> and sense data of robust personal and cultural experiences. The work may
> also provoke questions as to whether a computer or a human is capable of
> producing more surprising results. Andrews also notes that, “this project
> was inspired by my time as an Affiliate at metaLAB (at) Harvard. During
> this time I was fortunate to have encountered a diversity of ideas and
> research, and discourse with metaLAB members also greatly assisted the
> ideation process.” This work is made possible by Franklin Furnace
> Archive, Inc. and the New York State Council on the Arts with the support
> of Governor Kathy Hochul and the New York State Legislature.
>
>
>
>
>
> The Artist:
>
> Jeanette Andrews (1990) is a New York City-based artist, magician, and
> researcher. Andrews’s work focuses on the development of interactive magic
> and sensory illusions via performance, sculpture, installation, and audio.
> Over 27 years of specialized study and technical training in parlor and
> sleight-of-hand magic has now afforded her a distinct perspective on
> crafting experiences with nuanced, surreal visuals and on designing objects
> that function completely differently than they appear. Her research-based
> process centers around phenomenological philosophy, contemporary cognitive
> science, and physics. Work is rooted in highlighting astonishing aspects of
> everyday life via moments of the seemingly impossible. Themes have included
> invisibility, impossible objects, the relationship between scent and magic,
> unseen communication, and how illusions can construct reality. Andrews
> works closely with museums and galleries to recontextualize magic within
> the cultural arts and explore this craft as a performance art medium. She
> has presented numerous commissioned works with the Museum of Contemporary
> Art Chicago, including her 2020 work “Invisible Museums of the Unseen,”
> which was later commissioned as a site-specific work for the Quebec City
> Biennial. Further site-specific works for numerous museums and galleries
> include the Elmhurst Art Museum, Birmingham Museum of Art and International
> Museum of Surgical Science. Andrews is also an acclaimed speaker,
> presenting with the Cooper Hewitt, Chicago Ideas Week, Fortune 500
> companies, and universities and conferences across the country. She is an
> artist-in-residence for CultureLab LIC and has held residencies at High
> Concept Labs in Chicago and The Institute for Art and Olfaction in Los
> Angeles. She is an Affiliate of metaLAB (at) Harvard. Illusion is Andrews’s
> life’s work and her performances have been praised by the Chicago Tribune,
> PBS, and the New York Times.
>
> JeanetteAndrewsStudio.com <https://www.jeanetteandrewsstudio.com/>
>
> @JeanetteAndrewsMagic <https://www.instagram.com/jeanetteandrewsmagic>
>
>
>
> About Culture Lab LIC
>
> Culture Lab LIC is a 501(c)(3) formed to bring accessible, high quality
> art of all genres to our community, and to support local artists by
> providing rehearsal, performance, exhibition space, as well as a robust
> residency program. CL is dedicated to upholding, equity, diversity and
> inclusion across all our platforms.
>
> Operating out of a 12,000 square foot art center, Culture Lab LIC hosts
> two fine art galleries, a 90 seat theatre, classroom space, and an 18,000
> square foot outdoor venue, made possible by the generous donation of space
> from Plaxall Inc. CL is honored to host more arts programming than any
> other organization in New York City. Culture Lab is more than a venue, it
> is the heart of Long Island City.
>
> A very special thanks to Plaxall Inc. <https://www.plaxall.com/> for the
> donation of this amazing space and supporting us in turning it into this
> cornerstone of arts and community activity!
>
> @culturelablic  <https://www.instagram.com/culturelablic/?hl=en>
>
> https://www.culturelablic.org/
>
>
>
> This project was also made possible with funds from the Statewide
> Community Regrant program, a program of the New York State Council on the
> Arts with the support of Governor Kathy Hochul and the New York State
> Legislature and administered by Flushing Town Hall.
>
> ###
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